The most impressive ski film of the past year had no plot or script. It was mostly a rambling collection of scenes—lava flows, changing seasons, huck shots—with an intermission for a climate PSA from Aspen Skiing Company scold Auden Schendler. That might not sound so fun, but All.I.Can, from 33-year-old Dave Mossop and his production house, Sherpas Cinema, became a breakout hit at festivals from Banff to Mountainfilm thanks to its stunning cinematography. The street scene featuring JP Auclair grinding on railings and skidding across pavement in Trail, B.C., has been viewed more than a million times on Vimeo alone, and the film’s climax, in which Canadian skier Kye Petersen bombs down Canada’s Mount Ossa, is simply breathtaking.
Mossop, of Whistler, British Columbia, attributes his success to the stagnancy of the ski-film industry. “Audiences seem willing to accept new things,” he says. Mossop has big ambitions for his next film, a ski and travel flick titled Into the Mind that promises a surreal journey through the Himalayas, Bolivia, and the Canadian Rockies. “We’re moving into a world of dream states,” he says. “We’re creating a filmic reality where whether we’re in a real place or not is insignificant.”