Of Sharks and Men

It's the fishers, not the fish, that pose danger in the deep

Coming Soon

Thought Volcano was a waste of time? We did, too. MaybeAcademy Award–winning director Roman Polanski will have better luck making a lava flick that flows. Polanski's Pompeii, based on the 2003 novel by Robert Harris, will take on the a.d. 79 eruption of Italy's Mount Vesuvius, focusing on a fictitious aqueduct engineer who arrives in the village just before she blows. Meanwhile, Imax guru Greg MacGillivray was back in the Himalayas in May shooting Return to Everest 3-D, a sequel to his 1998 hit Everest. Co-directed by Michael Brown (Farther Than the Eye Can See), the film will feature climbers Araceli Segarra and Jamling Norgay as they help a group of Norgay's fellow Sherpas learn climbing skills. It will also follow a team of climber-scientists out to study how altitude affects the human body. Look for Return at Imax theaters in March 2009. —ANTHONY CERRETANI

WHEN HE SET OUT five years ago to make a documentary about sharks, wildlife photographer Rob Stewart was aiming for a "pretty" underwater film—one that portrayed sharks as elegant and amazing creatures worth protecting, not bloodthirsty monsters. Indeed, sharks turned out to be the least of Stewart's worries. MARIO QUADRACCI talked to the 27-year-old Canadian about Sharkwater, screening at film fests across the U.S. this summer.

OUTSIDE: From the start, when you hitched a ride on Ocean Warrior with conservationist Paul Watson, this was quite an adventure.
STEWART: When we encountered shark poachers off the coast of Guatemala, Ocean Warrior used water cannons, trying to flood the boat's engine. After a half-day battle, the boats collided. We ended up in Costa Rica, facing seven counts of attempted murder.

And you filmed all of this?
I filmed for the record, so we didn't get stuck in jail for life. Then we stumbled on evidence linking the Taiwanese mafia to the shark-finning industry—poachers cut off a shark's fins, sold for shark-fin soup, and throw the fish back in the sea to die.

Which led to death threats …
We fled by boat, while Costa Rica's coast guard fired machine guns in the air. Then I got dengue fever, tuberculosis, and West Nile virus all at the same time.

That's a lot to go through for a film.
But the message is important. With 73 million sharks killed each year for their fins, we're in real danger of losing them.

Sharkwater shows us sharks as the prey, not the predators.
More Americans are killed by falling vending machines each year than by sharks. But every shark attack is covered by the media, and films like Jaws and Open Water play on people's fears. Very rarely are sharks shown in a realistic light.

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