Biking
Convinced Cycling and Art Have Nothing in Common? Think Again.
When Injuries Changed the Lives of These Athletes, They Turned to Cycling
The Gravel Racing Scene in Northeastern Italy Is Incredible
The Bicycle Nomad Travels 1,900 Miles Through History and Time
Bikepacking the Silk Road Mountain Race Is No Joke
Once an Elite Rower, Brennan Wertz Is Now Taking on the World of Gravel Racing
Lush Forests and Endless Trails Make the Pacific Northwest a Mountain Biker’s Dream
It’s Time to Plan a Mountain-Biking Trip to Carrabassett Valley
Jackson Hole’s New Trail Is for Adaptive and Nonadaptive Riders Alike
Mountain Bikers Head to San Francisco Streets for a New Take on the Sport
This New East African Cycling Team Offers Riders International Exposure
This Cycling Team Is Working to Be Carbon Neutral in 2022
Chris Froome Isn’t Just Back—He Wants to Win the Tour de France
The Island of Senja Is a Mountain Biker’s Dream
Cyclist Rose Grant Talks About Her Career and Motherhood in New Film
Why Black Cyclists Don’t Feel Safe in Los Angeles
This Adorable Film Follows Kids as They Explore British Columbia’s Forests
Here’s Why We Love You, Gravel Cycling
Before There Was a Trail, There Was a Trail Builder
Pedal 2 the People Is Building a Community of BIPOC Cyclists
Pedal 2 the People Is Building a Community of BIPOC Cyclists
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What does it mean to be a cyclist? What does a cyclist look like? As We Have Always Done, a film by Kiki Ong, explores these questions and celebrates the fact that anyone who rides a bike is a cyclist. Through stop-motion animation and live footage, the film follows three organizers from Pedal 2 the People, a community for cyclists of color, and shares how they brought their fight for racial justice to the cycling world.
Watch the trailer here and stay tuned for the full film, which will play at the Filmed by Bike Festival in May.
As We Have Always Done was supported by the Eddie Bauer One Outside Film Grant, along with Filmed by Bike and Specialized. It was edited by Angie Paola, with animation direction by Eli Crespin and photography direction by Collin Chappelle and Evan Green.
