Video loading...
Climbing
Slacklining Is All About Mental and Physical Balance
Canada’s B.I.G. Initiative Empowers Women to Achieve Their Climbing Goals
These Women Are Making Space for Femininity in Climbing
It Isn’t Always Easy to Be a Female Climbing-Gym Owner
‘Not Just a Boys’ Club’ Kicks Gender Stereotypes in Climbing to the Curb
How Hazel Findlay Used a Kitchen Essential on a Difficult Climb
Olympic Climber Colin Duffy Is Just Getting Started
For the Texas Lady Crushers, Rock Climbing Is a Sport for Everyone
New Climbing Film Chronicles the First Ascent Across Denali
This Tennessee Climbing Trip Will Get You Excited for a Season on the Wall
Matt Cornell’s Solo Climb of the Nutcracker Is a Testament to His Mental Fortitude
Kai Lightner Wants to Encourage the Next Generation of Rock Climbers
Why Marc-André Leclerc Agreed to Be Filmed in ‘The Alpinist’
‘Home Crag’ Highlights the Precarious Future of a Beloved Utah Climbing Spot
Climbing at Utah’s Little Cottonwood Canyon Is in Jeopardy
Mental Fitness Is the Name of the Game for This Climber
Lowball Bouldering, Alex Honnold Style
Inside Kyra Condie and Allison Vest’s Heartwarming Friendship
Kai Lightner’s Plan to Make Climbing More Inclusive
‘Beat Monday’ Rethinks What You Can Fit into a Weekend
Climbing Picacho Del Diablo
Get full access to Outside Learn, our online education hub featuring in-depth fitness, nutrition, and adventure courses and more than 2,000 instructional videos when you sign up for Outside+.
Jesse Aizenstat of Aize Media is used to big-budget shoots and working with high-end cinema cameras, which is why he wanted to do something different with his recent film, Picacho Del Diablo. When he and his friend set out to climb the tallest peak in Baja, he took only his iPhone 6S and a GoPro to document the trip. This trailer for the film explains the pair's reasoning for the trip and is a prime example of the notion that it's the photographer that makes the difference, not the camera. You can watch the full film here.
