Surfing

After Adventuring in Ireland, the Goat Surf Club Members Talk About Their Hopes for the Future

Meet the Old Irish Goats Who Are Helping Mitigate Wildfire Potential

The Goat Surf Club Learns About Ireland’s Declining Biodiversity

In Pursuit of New Waves, the Goat Surf Club Heads to the Irish Coast

The Californian Who Builds—and Rips on—1930s-Style Surfboards

The Goat Surf Club Leaves Morocco—with Memories That’ll Last a Lifetime

Stuck in Morocco? For These Surfers, It Wasn’t the Worst Scenario.

The Goat Surf Club Explores Morocco’s Coastal Communities

Introducing the Goat Surf Club—and the Time Its Members Got Stuck in Morocco

How This Surfer Nourishes His Mind and Body

Spearfishing Is About Connecting with the Environment

A Champion Surfer’s Life-Threatening Injury

Landscapes, Seascapes: A Surfer’s Study of Wild Africa

Waves for Change Helps Kids Cope with Trauma

How the Sea Helped This Man Deal with Isolation

Making Surfboards from Trash

How Cancer Changed Ben Moon’s Life

A Reflection on Music and the Outdoors

Meet Surfing’s Most Humble Champion

Three Waterwomen on Conserving the Ocean
The Californian Who Builds—and Rips on—1930s-Style Surfboards
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Nole Cossart was looking to revamp his surfing experience when he started designing 1930s-style surfboards—known as kookboxes— a few years back. He’d grown tired of riding standard performance shortboards off the West Coast and wanted to “recover the original joy of surfing,” recalls filmmaker Ben Weiland, who created a short film, Mr. Kookbox, about Cossart’s work and his relationship with his father, who inspired his love of surfing, in 2020.
Kookboxes—like DIY surfboards—launched in the 1930s and ’40s and were named after a “kook,” or novice surfer. The idea was that anyone could make and own a surfboard, no matter their skill level. But kookboxes are actually difficult to ride: made from wood, they’re much heavier than normal boards, they can fill up with water, and they lack a bottom fin to help steer. “The reality is, these boards are almost unrideable,” Weiland says, laughing. “I think part of the magic of this little short film is seeing Cossart ride one so well in such high-performance waves.”
Weiland says that filming Mr. Kookbox allowed him to explore different ways of sharing sources’ stories. He points to a scene in the film when Cossart and his father are chatting in their living room, sharing old family photos and magazine articles that Cossart has been featured in. Weiland wanted to feel like a fly on the wall during this scene so Cossart and his father could talk freely rather than feel like they were doing a more rigid interview.
That scene, in fact, became the most meaningful for Weiland. “It was just a really sweet bonding moment for the two of them,” he says. “And for me, it was sweet to see that relationship and see the passion for surfing that has been passed down from father to son.”
Mr. Kookbox was produced by Fielder Studios, the production company Weiland founded with Brian Davis.